But then today at the gym, I ran while listening to my newly-loaded iPod (I've had it a year but just plain haven't ever loaded it up). And while I was stretching and blasting something by Richard Shindell, I realized that it may not be depression or even seasonal overwhelm that's hitting me. It may just be a need to dive deep and delve, get lost somewhere below the surface for a while and see what I can pull up. I felt like I needed to be autistic in a corner. I feel like I need to tune out the world for a while. And guess what? Once I had this epiphany (or "apostrophe" as some would say), the guilt disappeared as quickly those Christmas cookies we made last week. Poof. It's withdrawal for the sake of art. Nothing to feel bad about at all, when it's fallow time, as Julia has pointed out.
Anyway, back to Richard Shindell - a plug for the sake of any folk music lover, here, but in particular: Clare, check out 'The Ballad of Mary Magdalene' and some of his Spanish tunes(here is one), and Kate, you may be interested in the cover he and Dar Williams (of course) and Lucy Kaplansky did in Cry, Cry, Cry of James Keelaghan's Cold Missouri Waters, the story of the Mann Gulch fire in 1949. Amazing stuff. A little write up of him at the Folk Music Society of Huntington site sings his praises, too:
Somewhere between the witty despair of Leonard Cohen's lyrics and the haunted Elysian landscapes of Richard Thompson's guitar, between the deeply ironic writing of Randy Newman and the evocative vocals of Michael Stipe, there lies the work of RICHARD SHINDELL.~and~
Richard Shindell is at once an unassuming everyman and an enticingly enigmatic presence in contemporary music. The details of his life are hardly a secret ... would-be Episcopalian priest, now self-described agnostic, family man, a father of three; but there exists within his writing and performance something profound, wild, and unknowable.
I like that in a writer.
Okay, end of plug. Back to the burrowing for my own wild...



















